The Practice &Science of Drawing - The Practice &Science of Drawing by HaroldSpeed
Excerpt: The best things in an artist's work are so much a matter of intuition, that there is much to be said for the point of view that would altogether discourage intellectual inquiry into artistic phenomena on the part of the artist. Intuitions are shy things and apt to disappear if looked into too closely. And there is undoubtedly a danger that too much knowledge and training may supplant the natural intuitive feeling of a student, leaving only a cold knowledge of the means of expression in its place. For the artist, if he has the right stuff in him, has a consciousness, in doing his best work, of something, as Ruskin has said, "not in him but through him." He has been, as it were, but the agent through which it has found expression.
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Excerpt:
The origin of painting is unknown
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Excerpt:
How a young or shaken Christian should demean himself under the weighty thoughts of the Doctrine of the Trinity or Plurality of Persons in the eternal Godhead
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Excerpt:
I. MAHOMET'S BIRTHPLACE
II. CHILDHOOD
III. STRIFE AND MEDITATION
IV. ADVENTURE AND SECURITY
V. INSPIRATION
VI. SEVERANCE
VII. THE CHOSEN CITY
VIII. THE FLIGHT TO MEDINA
IX. THE CONSOLIDATION OF POWER
X. THE SECESSION OF THE JEWS
XI. THE BATTLE OF BEDR
XII
Woman as Decoration Woman as Decoration
by Emily Burbank
Excerpt:
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Excerpt:
The following pages embody a study of Islám during a residence of fifteen years in India, the greater part of which time I have been in daily intercourse with Musalmáns. I have given in the footnotes the authorities from which I quote
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